‘Hugely popular’: Lowestoft porcelain inkwell could fetch up to £7,000
- Credit: Archant
Porcelain collectors from around the globe will turn their attention to Norfolk this week when a rare 'Tulip' style inkwell is expected to fetch up to £7,000 at auction.
Keys Auctioneers in Aylsham has given the Lowestoft porcelain inkwell made around 1775 a pre-sale estimate price between £5,000 and £7,000.
Decorated in the Tulip painter style, the 7cm inkwell features floral designs and a divergent tulip.
This is one of the most sought-after designs in Lowestoft porcelain, with similar pieces featuring in the collection at Norwich Castle Museum.
Keys' ceramics expert, David Broom, said: "Lowestoft porcelain has become hugely popular in the saleroom, especially those pieces which were made in very small numbers, or which feature particular patterns, such as the Tulip painter style.
"This is something which originated in East Anglia which has a huge base of collectors all over the world, and we are already seeing considerable interest in the Lowestoft pieces."
The inkwell comes up for sale on Wednesday, July 24, the first day of Keys' three-day summer fine sale.
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Other Lowestoft porcelain in the sale include a sheep and ram pair dating from around 1780, and a blue-and-white porcelain bottle vase dating from around 1770.
Also going under the hammer will be ceramics from Meissen, Clarice Cliff, Moorcroft, Doulton, Wedgwood and Royal Worcester, and many oriental pieces.
Lowestoft porcelain: A fine legacy
The Lowestoft Porcelain Factory produced soft-paste porcelain ware from 1756 until its closure in 1799, the longest duration of any English soft-paste porcelain producer other than Worcester and Crown Derby.
Built on the site of an existing pottery or brick kiln, the building was later used as a brewery and malt kiln, before finally being demolished in 1955.
Early trials and production were alleged to have been sabotaged by workmen from the Bow factory, but by 1760 advertisements for Lowestoft porcelain were appearing.
The factory started out producing blue and white ware, and this is possibly the best known of its output.
But from 1770 onwards, an increasing amount of what it produced was the more colourful polychrome ware, with patterns following the fashions of the age: initially mandarin type chinoiserie, and then, from 1780, French neo-classical designs.